2010-07-12

Foodie Blogs: Building a Community of Culinary Communication  

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Back in the day, people turned to cookbooks, recipe boxes, and improvisation to guide their cooking. Now, these resources are being pushed aside and replaced by laptops, television shows, and Smartphone applications.

It’s the dawning of the age of the foodie blog as consumers hungry for knowledge about cooking, dining, and food sources increasingly use technology to satisfy their craving. In the process, food blogs are evolving to provide not just information but also inspiration and community.

“I think the food blogs have become so popular because people love food,” says Andrea Alexander, a certified executive chef and academic director for culinary arts at The Art Institute of Austin. “Not all of them know how to cook or grow food, or even buy food, but they love to eat and appreciate good food.”

Alexander believes that blogs provide a great format for people interested in food to discuss experiences with others — everything from favorite restaurants to a dinner party that turned into a disaster. They’re also giving ordinary people the opportunity to present their opinions on popular trends including community-supported agriculture, sustainable farming, and other eco-friendly cooking trends.

“I think that people are foraging into the realm of where their food comes from, and the impact of such on our planet,” adds Alexander, who often chooses sites she visits based on their association with local farmers markets or other sustainable organizations. Alexander’s also a fan of sites that talk about cooking in her community or blogs that smartly use catchy headlines and visuals.

A successful foodie blog can create an online community where people from all walks of life gather to talk, learn, and listen. The authors and topics go beyond moms bored with cooking the same things for their kids or new cooks inspired by what they’ve seen on Food Network, according to blogger Katie Chivers.

“I've always been involved with food, I just never cooked,” Chivers jokes, adding that she’s recently become more adventurous in her own kitchen. “I admired — and secretly envied — my friends who had all these interesting ingredients in their pantries and actually used them,” says Chivers, who uses her blog writing as an opportunity to better understand food, how to shop for ingredients, and why certain flavors complement others.

Chivers contributes to a blog called Pittsburgh Hot Plate using the pen name Katie Lane. She utilizes various techniques to draw readership — everything from posting diverse articles and utilizing eye-catching food images to providing new content throughout the workday to attract those seeking a quick break from the daily grind. Promoting blog postings on social media sites also helps.

“Thanks to Facebook, I do think that my food blog has a group of regular supporters,” Chivers says. “When we put fresh content right under people's noses like that, they are more inclined to click over to read more.”

Food blogs are becoming more sophisticated in their delivery of content, Chivers believes, perhaps due to the increasing number of blogs and the competition for followers. Blogs are starting to better represent their creators’ personality — creating a virtual relationship where readers across the globe know what to expect from a particular writer. Many also link to favorite sites, creating a circle of blog life that eventually links back to the original writer, building community along the way.

This attention to detail and readers’ needs can help a blog rise to the top, Chivers believes. Her favorite is 101 Cookbooks, a site based on the premise that “when you own over 100 cookbooks, it is time to stop buying, and start cooking.” With more than 500 recipes categorized by ingredient and category — and focused on natural, whole foods and ingredients — 101 Cookbooks features simple design, photographs that should be edible, and frequently updated stories and recipes.

Being a food blogger has changed the way Chivers looks at the work of food critics, chefs, and every day people who aspire to create amazing dishes. “As I'm cooking or baking or eating or taking in the atmosphere, I'm already writing and editing and looking deeper at what's going on,” she says. “Through my investigations, I've gained a greater appreciation for, not just food, but meals.”

When it comes to foodie blogs, the proof is in the pudding.

"As I ate, the ingredients began mingling in interesting ways…a forkful of onion and bleu cheese…the next, full of capers and bacon,” Chivers writes in a recent blog posting. “All of these different combinations made this a very delicious dish. I love when you take a bite of something and you know that it’s going to be the best bite of your meal of your life".

Read the entire article HERE

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2010-07-06

Fennel Frond Pesto & Fava Beans on Crostini with Market Cheeses  

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Recipe by Blake Van Roekel, Chef Instructor at The International Culinary School at The Art Institute of Portland

Makes 25-30 crostini

Ever wonder what to do with all of those fennel greens that you end up composting? It is never fun to toss those greens; they are too good! With this recipe they are made into a pesto, but they can also be added to soups and braising liquid which infuses slight fennel flavor into the mixture.

Fresh fava beans are truly a welcome sign that summer is here. Those combined with the deep rich green of the fennel pesto are summer in a bite.

Recipe

2 lbs of fava beans

3/4 lb market cheese of choice (consider a mixture of soft cheeses such as Ancient Heritage Adelle, Fraga Farm Chevre or Willamette Valley Perrydale)

Baguette

Olive Oil

Salt

Fennel Pesto

8 cups loosely packed fennel fronds (greens from about 2 young fennel bulbs)

1/3 cup olive oil

Juice from 1/2 lemon

Salt to taste (approximately 1/4-1/2 tsp)

1/4 tsp Pernod (optional)

Strip the soft fennel fronds from the stems, discarding the stems. In a food processor, place the greens and olive oil. Process until smooth. Pour in the lemon juice and Pernod. Pulse and season to taste with salt. The pesto can be made up to 3 days in advance and refrigerated.

Remove the fava beans from their pods. Blanch for a minute in boiling water and immediately drain and submerge in ice water. It will take not time at all to blanch the beans, as you want them tender but not overcooked. Slip the outer sheath of the bean off and discard.

Mix the pesto with the tender green favas. Season with more salt and lemon juice if need be.

Slice the bread and place in a sheet pan. Drizzle with olive oil and salt and toast until lightly browned and crisp. Let cool.

Spread or place thinly sliced strips of cheese on each crostini. Spoon the Fennel Fava compote on top of the cheese. Sprinkle with finishing salt and serve.

(Visit Blake’s blog, Keuken, to read more about her culinary adventures.)

See the original recipe HERE

2010-05-06

Grow Your Own Vegetables  

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More lovers of local food are tending the most basic supply chain for their produce: garden to kitchen to table.

“As a chef and as a food lover, having access to food that is that local and fresh is an unsurpassed thing,” said Renée Loux, green expert and organic chef.

Any food begins to slowly leech its flavor and its nutrients once it’s harvested, Loux says. So, to simply walk outside to a garden or a pot and grab a tomato or basil often ensures the best possible flavor.

Steve Venne, Chef Director for the International Culinary School at the Art Institutes International — Kansas City, seconds the point by saying: “Even fresh vegetables from high-end markets are not as fresh as home grown.”

The ultra-local food movement is finding converts among the ranks of restaurant owners, too. Thomas Keller’s French Laundry famously boasts a three acre garden across the street in Yountville, Calif. In Rockland, Maine, Melissa Kelly and Price Kushner have turned the grounds of their Primo restaurant into extensive garden spaces and greenhouses.

At The Art Institutes International — Kansas City, a garden should supply the culinary school with fresh herbs all summer, Venne says. Culinary programs at other schools in The Art Institutes system also draw on their own garden produce, says Joseph Bonaparte, the Director of Curriculum and Quality Assurance at the International Culinary Schools.

The system’s school in Charlotte, North Carolina, for example, has a “beautiful garden the size of a volleyball court,” Bonaparte says. In an Ai InSite article last year, Bonaparte explained how he created a garden while working as an instructor at The Art Institute of Houston as a way to introduce fresher ingredients into school kitchens.

Growing your own vegetables isn’t just tasty, it also can be good for the environment and cost effective.

“First and foremost, it’s as local as it gets,” says Loux, who is the author of several books and cookbooks including The Balanced Plate and The Whole Green Catalog.

Gardening for the kitchen eliminates the need to drive to the farmers’ market. Plus, the practice can reduce your carbon footprint, providing the planet with more plants that promote oxygen and pull carbon dioxide from the air.

“It’s a way to offset the impact of living,” Loux says.

Actually keeping a garden “green” means avoiding chemical fertilizers and pesticides. Even if vegetables are rinsed, any kind of chemical can invade the plant, Loux says.

She recommends companion planting — mixing in plants that naturally repel pests. For example, marigolds are a natural insect repellant (and they are edible). And anything in the allium family (green onions, chives) are naturally pest resistant and offer a quick harvest.

The harvest also can save cash. According to Better Homes and Gardens, a $2 tomato plant can easily provide 10 pounds of fruit over the course of a season.

For the average non-gardening household, getting started on growing your own vegetables may seem daunting. But creating a garden is not as difficult as you might think — even for those who lack green thumbs.

One of the easiest ways to start is with fresh herbs. Basil, thyme, rosemary, mint, cilantro and dill are all easy to grow and fairly hardy. They offer quick rewards because they can be harvested soon after they are planted. And it’s a great way to procure hard-to-find and expensive varietals, such as Basil varieties (lemon basil, purple basil, thai basil).

Herbs also lend themselves well to pots, which are a convenient way to start gardening, Loux says. Pots work well in any small space and can be rotated with the sun. And they eliminate the need for soil prep, as you can just add your own high quality potting soil without concern for the soil conditions in your area.

Loux recommends beginner gardeners skip the seeds and go with starts (young plants), which are readily available at home and garden centers.

Other items for your first garden plot or container: tomatoes, lettuce, radishes, peppers, snap peas, green onions, summer squash, and green beans. Also good are salad mixes, including mesclun mixes, which are easy to start from seed, says Loux. She also recommends arugula, which is not very susceptible to pests.

Finally, gardeners should learn what grows naturally and easily in their region. Pros at the nearby farmers market, hardware store, or gardening center can provide tips.

As Loux points out: “My sheer will will not make things grow.”

Read the entire article HERE

2010-05-05

Broccoli Rabe Pesto  

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By: David McIntyre and Lisa Weingarten, The International Culinary School at The Art Institute of Portland

Hazelnuts & fennel tops help give this pesto a beautiful texture and rich flavor. Use it the same way you would a classic pesto (we love to spread it on crostini with grilled vegetables & fresh mozzarella, or on top of a piece of grilled halibut). Stored in a sealed jar in the refrigerator, this pesto will last for weeks, or in the freezer for up to a year.

1 pound broccoli rabe
1 cup grated hard cheese (we recommend Redmondo, from Juniper Grove)
½ cup olive oil
¼ cup chopped toasted hazelnuts (skins removed)
4 cloves garlic
¼ cup fennel fronds (leafy-green tops only)
1 teaspoon salt
1 teaspoon lemon juice
pinch black pepper

1) Blanch broccoli rabe in salted, boiling water until just tender, about 2 minutes.

2) Cool under running water, drain, and coarsely chop.

3) Place all ingredients in a blender or food processor and puree until smooth.

Find this online at the Portland Farmers Market website

2010-04-21

Best Teen Chef Competition  

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In April, high school seniors from across the U.S. and Canada competed in Best Teen Chef Local Cook-off Competitions at participating International Culinary Schools at The Art Institutes locations throughout North America including The International Culinary School at The Art Institute of Portland.

Beating out four competitors, Genaro Vargas has been named The International Culinary School at The Art Institute of Portland’s Best Teen Chef for 2010.

The Art Institutes created the Best Teen Chef competition in 2000 to encourage and recognize young culinary talent. According to Chef Ken Rubin, Culinary Director, "The Best Teen Chef competition sets the stage for aspiring culinary professionals to show their passion and commitment for the culinary industry. I want to thank all of the contestants for their outstanding ability to work under pressure and produce deliciously crafted food. We stand ready to provide an outstanding educational experience that will serve them as their career flourishes".

See a full gallery of photos from this years' competition on Flickr HERE

2010-04-20

The Art of Ordering Wine  

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When it comes to ordering wine, it’s easy to feel intimidated. Chablis or Shiraz? What’s the difference between Pinot Grigio and Pinot Noir? Which entrée is best matched with a Chianti, a Cabernet, or a Chardonnay?

“Wine is very complicated,” says Jamie Kluz, a 2009 Culinary Arts graduate of The Illinois Institute of Art — Chicago. “Some places have incredibly long wine lists that can sometimes be a bit overwhelming.”

Part of the problem is that ordering wine involves multiple languages. Tim Gaiser, Education Director for The Court of Master Sommeliers Americas, says there are more than 1,000 fine wine grapes grown around the world and about 75,000 wines produced each year. With those numbers, customers new to the wine ordering experience don’t stand a chance.

“If you’re a consumer trying to figure out [the] language and you have your own set of favorites, you can use those as a benchmark for comparison,” says Gaiser, whose group promotes excellence in hotel and restaurant beverage service. “But once you wander outside of your comfort zone, you need help.”

Such wanderers will find plenty of help at restaurants. Servers, sommeliers, and even wine buyers can guide customers to the best wine complement for meals of chicken or beef, as well as those for dessert.

Tips on how best to link wines with food can be helpful even to those with discerning palates.

“I used to do the same thing — pass the wine list to the person next to me and hope they knew what they were doing,” Kluz says, “because while I knew what I liked, I didn’t have the faintest idea sometimes about what food to have with it.”

All of those varieties and pairing possibilities can be too much even for aficionados when ordering wine.

“Most people don’t understand the flavors and differences in wine,” says Joe LaVilla, Senior Academic Director for three culinary programs at The International Culinary School at The Art Institute of Phoenix. “It’s like trying to learn the names, relationships, and personalities of a football stadium worth of people all at once. Most people find one thing they like and then stick with it, but we would never do that with food.”

As with food on a menu, establishments can place wines in an order that would suggest one over another, or guide customers to certain pairings of food and wine. But restaurants aren’t trying to rip off customers by doing so, Gaiser says.

It’s more important, Gaiser says, for customers to consider value than price when ordering wine — especially in a tight economy.

“Obviously there’s an inherent part of any job in a restaurant that is to up-sell,” he adds. “If you’re selling someone a bottle of wine, that’s part of your job. [But] if someone shows interest and you know of a better wine that costs more, you recommend it.”

Sometimes consumers struggle to spot the best value.

If servers first direct customers to a high-priced wine, and then show middle and low–end bottles, customers usually order the wine from the middle category, Kluz says.

“There is a perception of poor quality in lower-priced wines that just isn’t accurate,” he continues. “Though often times the mark-up on the highest priced is the lowest, so sometimes you’re getting a good deal on something rather extravagant.”

Customers can get caught up in the prices when ordering wines and try to impress others with what they order. LaVilla says these “status seekers” can be easy to spot — especially when they turn the bottle so that neighboring diners can see the label.

“They order wine based on the reviews in magazines, or on the boutique nature of the business, not the quality of the wine or their personal taste,” he says. “They want to show off that they know ‘good wine.’”

Kluz says a similar phenomenon occurred with Pinot Noir once the movie Sideways became popular. After people heard the buzz about the film, they began ordering the wine more and more.

“It is one of the more difficult and expensive grapes to grow, which is why a decent bottle usually costs around $30,” she says. “If you find a Pinot from South America at $12 a bottle, chances are it’s not the same wine that created all of the hype in Sideways.”

The best advice, those in the wine industry agree, is to ask and trust the restaurant employees when it comes to ordering wine. And diners should remember why they chose the restaurant – for the food it offers.

“People should spend more time thinking about the entrée they are going to order than they do the bottle of wine,” Kluz points out. “Wine is sort of like an expensive condiment — the fancy ketchup, if you will. It’s meant to enhance what you’re eating, not steal the show.”

Read the entire article HERE

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2010-03-24

Baking and Pastry Student Final Projects  

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Talented Baking and Pastry students display their creations for review during their final class of the quarter at The International Culinary School of The Art Institute of Portland.

See the entire gallery HERE

Photo: Lulu Hoeller

2010-03-10

Baking For Dollars: Transforming a Hobby into a Business  

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Baking For Dollars: Transforming a Hobby into a Business

Almost every cook has a special recipe that consistently gets rave reviews from family and friends. But when that specialty provides the inspiration needed to jump start a home-based baking business, there's often a tasty story with kernels of unexpected wisdom.

Kevin Lindee transformed his baking hobby into a business three years ago, after serendipitously opening up a box of his homemade truffles while at a local coffee shop. The shop's owner sampled one of the confections and asked if Lindee sold his creations. The experience convinced the 2008 Baking & Pastry graduate of The International Culinary School at The Art Institutes International Minnesota to launch a store called Ganache: Truffles for Every Occasion. Lindee has since expanded into specialty desserts and traditional torts. "I actually was not planning to be in business this soon, but fate said differently," he quips.

Keri Trbovich's interest in cooking and baking led her to pursue a second job as an at-home baker. She perfected her skills by taking a Wilton Cake decorating class and soon after started her specialty fondant cake and gourmet cupcake baking business called The Icing on the Cake. "I have always loved to bake and the class demonstrated an array of decorating techniques for the beginner decorator," she says. Trbovich continued her self-education by watching YouTube cake decorating videos, gaining the techniques needed to make her cakes stand apart.

While Lindee and Trbovich each found success following very different career paths - Trbovich has no formal training in the field - there are some universal truths for those dreaming of a home-based baking business, according to Executive Corporate Chef and Pittsburgh Hot Plate blogger Chuck Kerber.

One of the most important: To grow a baking business, you have to provide a quality product at a reasonable price. "You can always create a demand for a product if it's exceptional," he states.

Balancing the creative side of baking with the management of a business can be a big challenge. Start-up costs are often high due to needed equipment and ingredients. Trbovich also had to learn to make the most of her small kitchen. "Figuring out how to bake and decorate cakes in a confined space was very challenging at first," she says.

Finding good help, when needed for a large order, may also be difficult. And for bakers interested in marketing their creations to larger commercial enterprises, there's another hurdle - the home kitchen is out. Food must be prepared in a food safety certified location such as a restaurant or catering business.

Lindee has been able to use his employer's professional kitchens in such instances, just one of the many benefits he's gained through his culinary work experience. "There are many challenges, especially when you do most of your work at home," he adds.

But good equipment and business skills can only take you so far. Kerber suggests that it's critical to know what product you want to produce - and to find a way to make it consistently perfect every time. "Make sure that you have a recipe that you can count on. This means a recipe that is extraordinary and unlike any other." He urges the need for consistency. "Whatever you make has to be exactly like it was before. Any variations in the recipe will cost you customers," he states.

Finding and keeping customers is one of the most gratifying parts of having a baking business, according to Kerber. "Hit the pavement, and give some product away. If the potential customers like what you're selling, they will give you a call," he says.

Lindee seconds this assertion, saying he regularly takes advantage of local events to market his creations by providing samples, taking part in competitions and demonstrations, and donating to local charities. "Even if the outcome is very small, the little bit of exposure in the market will help you build a client based relationship," he says.

Using social media is a new way to build business awareness, according to Trbovich, who has a Facebook page dedicated to her fondant cakes. Other tips include setting up a dedicated website and utilizing the old standby - word of mouth advertising from satisfied customers, family, and friends.

For home bakers interested in transforming their hobby into a successful profession, there's one common thread: a passion for food and a dedication to creating something that keeps customers coming back. "If your clients can see your passion in everything that comes out of your kitchen, then you will always have a thriving business," asserts Trbovich.

Lindee adds that there's an unexpected bonus at the end of the day -the gratification of seeing positive results from hard work combined with a passion for culinary arts. "I am true to myself as a baker and when I deliver my services to clients."

Article HERE

2010-02-23

3 Questions with Chef Rubin  

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3 Questions: With the top chef at Portland's new culinary school

By Leslie Cole, The Oregonian
February 23, 2010, 12:00AM
A short chat about what's cooking

Ken Rubin, chef director at the newly opened International Culinary School at The Art Institute of Portland, has packed a lot into his 34 years, including a master's degree in food anthropology; stints as a working chef, artisan goat-cheese maker and food critic; and six-plus years with Le Cordon Bleu Schools North America. But you'd expect that from a guy who used to go to summer camp with cookbooks instead of comic books and who, at age 13, catered his own bar mitzvah. As Portland's newest professional cooking school approaches its first anniversary, we sat down to learn more about Rubin and his plans.

Q: Portland has two other culinary schools. What's different about yours?

A: We're accredited as an institution through the same body that accredits all the major universities and schools, places like Reed College and Portland State and OSU. (The city's other culinary schools are nationally accredited through groups that typically work with technical and trade schools.) That means we're required to have a more intensive mix of general education studies -- liberal arts studies, basically -- and we're bound by a different set of rules that govern how we operate, what faculty credentials we have to have in place, things like that.

So when a student comes to us and wants to get an associate's degree and go on to PSU and get a bachelor's in nutrition, or get a bachelor's here and go to OSU and get a master's degree, they have a much easier time moving between this school and those other worlds.

We're also different in that we're the only culinary school in the country to offer an academic minor in sustainability.

Q: You recently hired chef Cory Schreiber to teach and develop a curriculum on sustainable culinary practices. Why the focus on sustainability, and what does that look like?

A: The whole dialog about sustainability and being ecologically and socially conscious is long overdue in culinary arts. There are certainly some schools that have addressed the issue in some ways -- schools that have a student-run restaurant that buys food locally, for instance -- but I felt like it was really important to put some real coursework behind this idea. The students who are tracked into the sustainability minor get a whole set of courses that address the science, the philosophy, the history and the economics of the sustainability question.

Beyond that, we're infusing the concept of sustainability into the entire program. Cory's teaching a class in sustainable purchasing and controlling costs. It's more about training students to walk through and understand how complicated and dynamic sustainability is, (rather) than coming up with "the answer."

Q: Cooking schools have taken a bit of a beating recently, being criticized for the high cost of a degree and inflated expectations about job prospects. Are the criticisms valid? What is your school doing to address those concerns?

A: I think those criticisms are valid not just of culinary education but education in general. I think where a lot of culinary schools have gotten in trouble is this hyper-focus on this technical training model, where I think they were overly narrow in the sorts of things you'd expect from someone when they get out of school. I don't want anyone going into this thinking you graduate and you're a chef, or you graduate and you've got the skills to own your own business.

Students need to know that it's really dependent on who they are as a person, their performance and motivation, and how good they are at all the non-cooking things. That's what will really make them a professional.

-- Leslie Cole

You can read the article online HERE


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